Iconografica

Influenced by the old directed by the new.

vicemag:

Meet Bob Gruen: Bugle Player for the Clash and Photographer of Rock Royalty

The most important thing about Bob Gruen is that he played bugle for the Clash. The second is that he shot a bunch of the most iconic rock and roll photos of the 20th century. John Lennon hired him as his personal photographer in the 70s, which resulted in that picture of Lennon in the New York City shirt that your dad probably has framed somewhere. He also took the picture of Sid Vicious bleeding from a cut up chest that you probably have unframed somewhere, and on one special night in 1975 he took a picture of Mick Jagger’s giant penis.

Bob Dylan, 1975

Gruen got into music photography in the mid-60s while living in Greenwich Village. He befriended bands that were part of the burgeoning folk scene at that time like the Lovin’ Spoonful and the Magicians, and in 1965 shot his first concert—Bob Dylan at the Newport Folk Festival. Soon after Ike Turner personally selected Gruen to photograph Tina Turner, and from there his career exploded. Bob photographed rock and roll gods like the Stones, Bowie, and Zeppelin in their prime, but it was through his gig as John and Yoko’s photographer that he became involved with a group of mascara’d gentlemen who called themselves the New York Dolls.

Bob was the first photojournalist to document the Dolls in any real way. He took some of the earliest pictures of the band, and in 1973 went along with them on a West Coast tour. Now, Gruen is getting ready to release a documentary about that tour from the video he shot while on the road with them called New York Dolls, All Dolled Out. I called up Bob because I am jealous of his life and wanted to hear all about it.

New York Dolls on the Real Don Steele Show, 1973

VICE: How did you first meet the New York Dolls?
Bob: 
John Lennon was working with the Elephant’s Memory band, and they were managed by the same company as the New York Dolls. So I was bringing pictures to their office when one of the guys was like, “You have to see this other band we manage.”

I went down to the Mercer Arts Center and was totally blown away. Over the next few weeks I took pictures and made some videos of them. We worked together for the next couple of years—they’re like family.

Continue

whereart:

NOIR SERIES BY MARKO MANEV

Marko Manev (tumblr / facebook), born 1985 in Skopje, Macedonia is a conceptual mixed-media artist, graphic designer & illustrator. Manev is an active artist both in the fine art and in the pop-culure fan-art scene. Currently he is working as a freelance designer and illustrator, creates limited edition prints and movie posters. 

(Source: devidsketchbook.com)

Degenerate art is the English translation of the German entartete Kunst, a term adopted by the Nazi regime in Germany to describe virtually all modern art. Such art was banned on the grounds that it was un-German or Jewish Bolshevist in nature, and those identified as degenerate artists were subjected to sanctions. These included being dismissed from teaching positions, being forbidden to exhibit or to sell their art, and in some cases being forbidden to produce art entirely.

Degenerate Art was also the title of an exhibition, mounted by the Nazis in Munich in 1937, consisting of modernist artworks chaotically hung and accompanied by text labels deriding the art. Designed to inflame public opinion against modernism, the exhibition subsequently traveled to several other cities in Germany and Austria.

While modern styles of art were prohibited, the Nazis promoted paintings and sculptures that were traditional in manner and that exalted the “blood and soil" values of racial purity, militarism, and obedience. Similarly, music was expected to be tonal and free of any jazz influences; films and plays were censored.

robertkazinsky:

It’s a labyrinth. Just a pile of old rocks that have always been here, even before them mill. Better not go in there. You may get lost.

(via markparadissse)